Dead Bodies Need Love, Too

…only I think more for our sake than theirs. 

In the last week I had two different friends tell me stories about the death of a close family member and the extraordinary experience they had with the body afterwards.  In both cases the body was handled in a way that’s unusual by American standards, yet both women told me (with deep conviction) that it made all the difference in helping them cope with the loss.

The first is a friend who’s older brother died last year of a sudden heart attack in his early sixties.  He lived and died in a different kind of community in the midwest where a lot of people practice a spiritual discipline with deep roots in the Indian Vedic tradition. Naturally, his cremation was attended with some of the chanting and ritual derived from that part of the world.  It involved an open casket viewing in a small room within the crematorium following the funeral itself.

The ceremony was beautiful, heart wrenching, and mesmerizing to watch.  My friend had a small video that was given to family members, and she shared it with me.

Only the most intimate friends and family members were allowed to attend.  Once everyone was seated a woman, who’d evidently spent a number of years in India learning how to do it, gave a brief explanation of the ceremony and then began singing what had to be one of the most beautiful, soothing, dynamic songs I’ve ever heard.  The words were in Sanskrit so I couldn’t understand any of it, but the melody, repetition, and deep resonance of the woman’s voice was like being cradled in strong arms.

All of the (many, many, many) flowers from the funeral had been brought into the room and two women were busy in a corner stripping all the petals and placing them into a basket near the head of the casket.  As the main woman sang that unearthly song, everyone in the room stood up and began to file past the body in a circle, picking up a handful of petals out of the basket each time they passed and sprinkling them over him as they whispered their final good-byes.  

At first I was just struck by the surprising beauty of the whole idea.  But then, as I watched his white face…his entire body…. vanishing beneath the deepening layers of soft, tender flower petals, I got it.  How much kinder and gentler this was, how much truer to both the profound love and profound loss of the people in that room, to bury him in flowers rather than dirt.  It took my breath away.

His mother nearly collapsed her first time around, under the unbearable weight of her grief.  But it seemed to get easier for her after that.  My friend told me that more than anyone else, the ceremony helped her mother come to grips with the loss.  Neither Friend nor any of her other family members actually lived in that community.  They’d all dropped their lives to travel from across the country, stunned and stricken.  Friend confided that initially she, herself, was reluctant to view his body, to see him like that.  She wanted to remember him as he was.  But then somehow as she watched him disappear beneath the flowers, the pain and shock of his death was transformed into something else.  Something more manageable.  Closure, she said, and her eyes looked unutterably grateful and sad.

Eventually, they all went down to the furnace and, together, rolled his body in.  But by then they were ready to let him go…which I realized was the ceremony’s intended gift.

My other friend’s loss happened at the other extreme.  She lost her elderly mother after a decade of slow, horrendous decline.  In fact, her slide had taken so long that when she finally…finally!…began actively dying it was hard to get her doctor to believe it.  In the end she was only transferred over to hospice care a scant three days before she died and this made my other friend sad.  She would have liked the extra time necessary for everyone to gather and say their good-byes, to turn their familial head downward toward the birthing canal, preparing for their transition into the next world without her.

Then she told me how they didn’t call the funeral home right away, to come and collect her mother’s body afterwards.  Instead they kept her at home for a night so she and her daughter could sleep beside the bed, one on each side, loving it through the first long, dark hours of its new state.  They called in the morning and watched her taken away in the brighter light of day.  My friend shared that, by then, she was ready to let her go and I recognized that closure thing again.  That elusive, emotional line we all have to track down inside ourselves and cross before we get to begin our ascent back up the other side.

In both these stories I was struck by the double loss we experience with the death of a loved one…how we lose both their them-ness AND their body…and how important it can be to separate the two and honor them both.  Not only as a final gesture of respect for our departed, but for our own healing as well.

first photograph: Cherry Blossom at Washington Memorial by porbital

second photograph: A Study in Pink by Maggie Smith

copyright Dia Osborn 2012

That “thing” in the header

Someone has finally asked about it.  I was beginning to wonder.  It’s been up for the last…what?…nineteen months now, and just when I was concluding from the uninterrupted silence that nobody else found it as arresting as I do, Nel over at Life’s Infinite Possibilities (with stunning headers of her own btw) said…

What’s that “thing” (for lack of a better word) on your header?

Here she is in full.

I believe she was an arthropod of some kind but I can’t be more specific than that.  I found her exposed just as pictured, over on the coastline of the Olympic Peninsula three or four years ago. A seagull–or perhaps one of the many eagles that inhabit the place, I don’t know–had taken a couple bites out of her before being interrupted, maybe by the hubster and I as we meandered up the shore.

By the time I reached her side, she was still alive but mortally wounded. I found her extraordinarily beautiful…the colors so vibrant on an overcast, dreary March day that they took my breath away.  She was a tiny, dying spot of brilliance in a wild landscape of muted grays.

She also vaguely reminded me of female genitalia.  Like orchids do, only with an arthropod’s twist.  It both tickled my sense of humor and made me ache for her vulnerability all the more.

After I took the photograph I cupped her oh-so-gently in my hands, walked down to the water, and placed her right-side up again in the sea. She curled a little when she felt the stones beneath her…the cradling of the water…and I like to think she was happier there. Safer. Like the difference between dying peacefully at home, surrounded by the familiar and loved, versus upside down and alone in a car crash on the side of an anonymous interstate.

Here she is right-side up and back in the sea.

A little farther down the beach we also found a dead seal that was only beginning to decompose.

I originally planned to use this photo in the header but it never felt right.  Looking back now I think it’s because my primary focus here is on dying rather than death.  Both are profoundly beautiful to me, but with as much as I love the stars and stillness of deep night, it’s the elusive magic of twilight…that impossible alchemy that occurs as something is changing its very state of being into something else…that haunts me.  I guess that’s why I’ve always been drawn to transitional environments like coastlines and twilight hikes and storms and hospice. Because they provide portals into the strange, limbo world of transmutation where I can then observe and try to document its mechanics, firsthand.

copyright Dia Osborn 2011